The Dead Island Trailer: Over the top?

Steve pointed out a link to an opinion piece about the trailer for Dead Island, which Jo posted a few days ago. Here’s a selection from the article.

But, increasingly, I’m getting uncomfortable with how comfortable game developers have become with putting children in peril and, often, allowing them to be gruesomely killed….

…When such depictions are presented in an artful, entertaining way, video game advocates are put in a position of defending content that might be less palatable in other mediums. Would the “Dead Island” trailer work as a live-action preview of a movie or would it have provoked outrage?

I wonder if our tolerance for virtual gore and bloodshed in games has numbed us to the mutilation and torture of children because they’re virtual characters, no more real than the barrel-chested Nazis in “Wolfenstein 3D” or the turtles in “Super Mario Bros.”

Or, more disturbingly, maybe we’ve become so used to hearing about violence directed at kids that its depiction in video games is just another reflection of our culture. Perhaps developers, many of whom have kids of their own, are exploring their own fears as they build complex, dark game narratives, fully aware that once there’s an “M for Mature” label on the package, there’ll be little outcry.

We’ll be discussing this on Episode 219 (a.k.a. CaligulaCast) in greater detail so I’m not gonna wade into this yet, but I’m curious as to what our readers make of this opinion?

Chemical Burn DVD roundup

Here’s my companion piece to Mat’s recent review of some DVDs he received from Chemical Burn Entertainment. I also received a package from CB but mine contained different movies. I think it’s super cool of them to submit different DVDs to the two of us. To echo some of the things Mat said: Of course, we always appreciate it when filmmakers or distributors include us in their screener submissions. I certainly never want to take a dump on anything. I want to dig everybody’s movies.

But, man, sometimes you just can’t deny what’s in front of your face. All of these movies are giant turds. Let’s go down the list…

The Bisbee Cannibal Club: Now, despite the foreboding intro I just wrote, this one actually had some funny bits. It’s a horror-comedy and has the right attitude about itself. In the quaint little town of Bisbee, a gang of cannibals is preying on vegetarians (because grain-fed livestock tastes the best, duh). It’s shot-on-video schlock that might make you chuckle a few times. I suppose if you did a drunken Netflix instant party with this movie, it wouldn’t be the worst choice you ever made (it would make the list, though).

Camgirl: Woof. This movie is unique in that there is only one actress on screen for 99% of the film. Only very, very briefly do you ever see another person. The story is that this British chick is a “camgirl,” doing R-rated stripteases on the internet. One of her fans is obsessed with her and blah blah blah.

Lesbian Vampires: The Curse of Ed Wood: Okay, this one is pretty weird. There’s this framing device where a horror-host character named “Mr. Creepo” is walking through a cemetary trying to channel Ed Wood. Or something. It’s very strange. Then the real movie starts and it’s a bunch of really gross people sort of hanging around being gross while wearing lame vampire teeth.

Tales of the Dead: This is an anthology, collecting four short films. The framing device is a group of friends gathered together on Halloween, trying to scare each other. Somewhat novel, I guess, is that rather than sitting around and telling their stories orally, they are each bringing a DVD or video tape and viewing it with the group. The first story is kind of okay, about a woman who is obsessed with getting an elective amputation. The other three are nothing special.

So, those are the four DVDs I watched. I’ve historically done a poor job of watching the screeners that come in and posting reviews in a timely fashion. When this batch arrived, I wanted to give it an honest try and, surprise, I got burned. Or should I say, I got chemical burned? Ha! I’m so funny.

On the Chemical Burn web site, all of these DVDs sell for $19.95 + $3.95 shipping. That’s pretty high. It’s almost offensive, really. I mean, look, Outpost Doom is a crappy, boring movie – but at least we don’t charge an arm and a leg for it. We charge $10 with free shipping and that seems pretty fair for this type of thing.

…hang on, guys, my wife is calling me. What’s that, dear? I received another package today? Cool, let me see it…

No! No, it can’t be! More Chemical Burn DVDs! AAAAAAAHHHHHHHHH!!!

Splattercast #217: Parting it like the Red Sea

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This week, we clear out the formspring inbox and chat Tom Savini with our friend Ali from AvantTrash.com

It Came From the Screener Box – Chemical Burn(ed): House of Sin, The Defiled, and UFO’s Do Not Exist!

Screeners. Every genre site gets them. It’s always rad to open up your mailbox and see an envelope stuffed with movies that you didn’t have to pay for. It’s one of the perks of the “job”, so to speak. That excitement is always coupled with a splash of cold water when you start to watch most of these movies. 99% of all screeners are horrible. Just dreck. Bottom of the barrel type stuff that makes you curse yourself for ever getting into this business. And it makes you feel bad, because on one hand, these companies have given you free swag and sometimes, sometimes it’s great stuff. But most of the time it’s garbage from indie filmmakers who will go nowhere. How do you review these things, and you feel like you should review them because they were nice enough to send them to you. It feels like an obligation, but it makes you feel shitty about yourself when you just rail against these obviously piss poor excuses for movies. In some cases it’s even led to anger and hurt feelings on the part of the filmmaker (dude was a total crybaby about my review and demanded I send back his screeners! haha) when you are brutally honest about what you think of their opus. It’s just awkward to review these things and a metaphorical “box” of screeners ends up piling up as you put viewing these things off and off until you just say “Frack it” and check them out.

Recently, Chemical Burn sent Jeff and I different packages of screeners. I actually did an unboxing video of one of the packages. First off, we totally appreciate Chemical Burn for sending these. It’s not cheap to send thick packages of DVD’s and we are glad they thought of us when making their screener list. That being said, the reviews of Dead Lantern will always reflect what we actually think about the films. And unfortunately, these movies were pretty awful. I got 3 of them and I’ll do the best one first…

The Defiled (2010) d. Julian Grant (link)

I talk a lot about how dumb zombie movies are. That they are just the same thing, over and over again. The Defiled is certainly a different type of zombie movie (um, okay, “infected”, whatever. Over that debate). There is no dialogue in the film, it’s shot mostly in blue & white (yes, blue), and told almost entirely from the zombie’s perspective. The basic story is a futuristic world in which the zombies have mostly won. There are uninfected people here and there and every once in a while the sound of jets bombing cities lets you know that there is still a human resistance at work, but mainly, the film follows a family of zombies as they roam the countryside. Upon eating a radiation contaminated body, the family dies, sans the father who delivers his dead wife’s unborn child. We then follow him around as he tries to protect his zombie kid, eventually running into an uninfected woman who becomes a mother figure to it.

I give this film props for doing something I’ve never seen in a zombie film before. It’s got art-school audacity to it in terms of its perspective, look, and lack of any dialogue. It’s ridiculous 100 minute run time also screams hipster nonsense. The choice of Blue & White I guess is to convey a sense of washed out coldness to the world, but after about 10 minutes it just gets really annoying to look at; a distraction that could have been avoided because traditional black and white can be made to convey the same feel and its much more palatable. Because there is no dialogue, just grunts and baby cries, it’s incumbent upon the actors to convey what is happening to the audience. For the most part they do a good job. But there is way too much “nothing happening” in this movie. As much as it is fascinating to see a zombie climb a tree to steal bird eggs for his zombie baby….I just don’t really care. The Defiled is certainly an interesting and original take on the zombie genre, a breath of fresh air, for sure. But it’s so boooooooooring and because I didn’t care about the zombie dad or his zombie kid, I found myself spending more attention and energy trying to keep Hypnos at bay. Still, if you are a hardcore zombie film fan (which I readily admit, I am not), this is worth a look just because of how different it is. If only it could have had a more engaging story, this movie “coulda been a contendah”.

House of Sin (2010) d. Philip Gardiner (link)

This is a perfect example of the fear that strikes reviewers in terms of screeners. This is not a movie so much as it is a collection of loud, obnoxious rock songs and unattractive naked women (sorry ladies, but not all nudity is good nudity). I don’t even know what the hell this movie is about. Some dude named The Mage runs a house of sin….and  um, people come there to, uh…sin. Or something. It’s sort of an affront to good taste that somebody has put this movie out and is actually asking 20 bucks for it. I mean, it’s a total con game here. Nobody in their right mind would pay anything for this junk. I would like to meet the person who watches this movie and thinks it’s even remotely good or worth the money. There’s is a complete lack of artistic sensibility here. It looks and feels like it was created simply as a vehicle to promote some bands and throw some titties on screen. Horror has a long and storied history of exploitation, but this isn’t so much exploitation as it is a blatant cash grab. I can’t even review this because it’s not a movie, it’s just garbage of the highest order. Certainly not a film I’d ever pick up as a distributor. If I found something like this, I’d be immediately suspicious of the Chemical Burn brand. That’s how bad a decision this was to pick up for distribution. Yikes. Then again, I guess it’s not worse than….

UFO’s Do Not Exist (2010) d. I don’t remember (link)

………………..

hmm.

This is a two hour slideshow powerpoint presentation by a guy who believes every conspiracy theory ever involving UFO’s and aliens. Imagine just watching still photos of supposed UFO’s while a guy gives a paranoid presentation whose audio quality sounds worse than Drunken Zombie on their worst  day. As you’d expect, the guy give no evidence for anything, relying on hearsay and conjecture on everything from Roswell, to Majestic, to the Philadelphia Experiment. He’s the kind of guy you’ll listen to for 3 minutes and realize immediately that he’s a sad, lonely person whose worldview is warped by a fantasy ideal that doesn’t actually stand up to logic if you think about it for more than a second. He probably plays World of Warcraft, too.

How on earth does this bullshit get distributed? Seriously? And is there actually a market for this or is this just one giant practical joke? I mean, actual real money was spent to print these up and they are charging $20 for the DVD. I could whip this bullshit out of my ass in no time at all. Maybe I will and I’ll send it to Chemical Burn and see what happens. I’ll pick up the latest issue of Fortean Times, pretend I’m 12, and do a two hour documentary on how NASA faked the moon landings. I can’t wait to jump into my money pit, Scrooge McDuck-style when I get my mad Chemical Burn residuals. Sheesh.

At least The Defiled was noteworthy, even if it did suck. I don’t think Jeff had any better luck with his Chemical Burn selections, but we’ll see. My recommendation is: Don’t buy any of these movies. Don’t even watch them, if you can help it.

Happy President’s Day!

Monday Morning Music

FRIGHTFUL FICTION FOR FEAR FILM FANS

GHOUL by Michael Slade

What’s my favorite horror novel of all time? Tough question, but the one that always first comes to mind is the sophomore effort, Ghoul, by the amalgamation of Canadian lawyers known as Michael Slade.

Don’t be fooled by the tittle. This is not a book about monsters or the paranormal. Ghoul is a psycho-thriller featuring the hunt for a deranged psychopath by hard-nosed detective Zinc Chandler, a member of the elite Canadian serial killer task-force known as Special X. That’s right, it’s about Mounties. All of you Canada haters out there shouldn’t worry, though, most of the novel takes place in and under the streets of London, along with various parts of the United States – most notably, Rhode Island.

First published in 1987, during the great boom of serial killer novels ushered in by Thomas Harris’ Red Dragon, Ghoul differentiates itself by having been written by die-hard horror fans who just happen to work in the Canadian criminal system – specializing in criminal insanity cases, no less. Slade’s passion for horror, and understanding of the inner workings of the insane, brings a unique formula to the proceedings that tickles the horror geek in me like few other writers are capable. (more…)

See Attack of the Giant Leeches and Outpost Doom tonight!

The Drunken Zombie Deadly Double Feature is tonight and the guys were kind enough to put Outpost Doom on the same bill as Attack of the Giant Leeches!

Stop by the Peoria Theater at 9pm for monster movie madness. And thanks again to the guys at Drunken Zombie for putting our crappy little movie on a theater screen!