Archiving Bear Eats Fish: Star City Scene Interview

I know nobody gives a shit about this, but when I find stuff that the Splattercast guys were involved with floating around the internet, I want to post it here for posterity. Because we all know Deadlantern.com will be here until the world ends in 2012. I’m trying to convince the rest of the guys to do a reunion show. I think Deejay, Brady, and I will be jamming in a couple weeks. Maybe come up with some new stuff. We’ll see what happens.

Anyway, this was an interview done by Tery Daly for a local band website called Star City Scene in July of 2004.  It’s still posted but I’ll include it after the jump as well. You know, for posterity.

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Mat’s March Watchlist

Spent most of March watching good non-horror films. Last half of the month was a little light due to focus on the next amazing feature length horror film from Dead Lantern Pictures. Also ended up watching season 5 of The Office and a whole lotta March Madness games. I got an e-mail from a couple people inquiring as to how I am able to watch this many movies and still find time for TV, DL film projects, L4D, etc. The answer is that I have a job that allows me to watch 3-4 films per day if I desire to do so because for long stretches I’m just sitting around doing nothing. So while at work, I can watch and re-watch films I really enjoy, like a 3 hour Spartacus epic, for example. It’s a good job.

Orange means worth your time, Red means essential viewing.

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Mat’s February 2010 Watchlist

I didn’t see as much stuff as I wanted to this month. Bioshock 2 came out and the Splatcademy Awards work started. And I had the T-Virus for over a week, in which I would just randomly fall asleep all the time. What I lacked in time to watch feature lengths, I probably made up for with The Office and Spartacus: Blood and Sand. Easier to digest shorter TV entertainment than 2 hour movies sometimes.

Anyways, here’s what I watched in sequential order. Orange means worth your time, Red means essential viewing.

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MaT’s January 2010 Watch List

I love movies. Of all the Splattercast hosts, I probably watch the most in terms of sheer volume. I try to get to 50-60 flicks per month. Sometimes more, sometimes less, but to better prepare for next year’s Splatcademy Awards, I decided to start making a note of every film I watch, and this new segment sort of grew out of that. So below you’ll find every feature length film that I watched in January, in sequential order of viewing, along with some brief comments on each one.

The first half of the month was dominated mostly with flicks I was trying to catch up on in prep work for the Splatcademy Awards. The second half was getting back to the stuff I generally watch. I generally try to avoid crap so you’ll find a lot of good stuff as you go further into the list.

Titles in orange are flicks that are definitely worth looking at, titles in red are sort of “can’t-miss” flicks that should be at the top of your Netflix queue. Enjoy.

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The Best Horror Films of 2009 (MaT’s picks)

2009 was a pretty ho-hum year for the horror genre, in my opinion. A couple really good things stood out in a sea of mediocrity. Not that mediocrity can’t be entertaining (listen to the Splattercast on a weekly basis and you’ll learn that quickly). To be fair, I still haven’t seen everything I want to, so this Top 10 list isn’t really a definitive “best of” so much as it is a list of the films I enjoyed the most of those that I’ve seen. “Definitive” lists of films are best done a few years after the fact, once time, thought, and perspective have set in. It’s quite possible that in a few years I’ll forget some, if not most, of the films on this list and once I’ve actually seen a good 5-10 other well received flicks that I haven’t gotten around to yet, this might not even accurately reflect how I feel about this year’s genre offerings. Nevertheless, people love lists, so here’s mine in all of its glory. Only a few of these movies I’d watch again, but isn’t there an unwritten rule somewhere that you have to have a “top 10″?

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MaT’s Journal #26: Thanks, taxpayers!

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I’ve been spending the last couple weeks catching up on every horror flick released this year that I’ve heard any positive comments about. I’ve enjoyed most of the stuff I’ve seen so far. But one flick that certainly isn’t high on my list is Feast 3: The Happy Finish. I won’t mention any names, but a certain podcast had this in its Top 10 of 2009 list and let’s just say that I will know longer be taking their recommendations seriously. Although, I will have to say, that Steve will probably cream himself when he sees this. Deejay and Jeff, too. It’s like the bastard love child of Uwe Boll and Lloyd Kaufman. For example, during one scene when a hybrid creature is created, it jumps over the camera. Unfortunately for the camera, it’s giant ball sack slams into the lens and knocks it backwards. There’s another character called Short Bus Gus who dresses like Obi-Wan Kenobi and has the mysterious “power” to keep the creatures at bay. It’s not a coincidence that I think of “short bus” and Steve immediately comes to mind. This movie is beyond stupid, but what I’m saying is, a lot of the Splattercast listeners will probably love every minute of it :)

The passing of Dan O’Bannon today greatly saddens me. Horror is a genre that rarely celebrates its writers. We’re usually preoccupied with the directors or fx artists, but O’Bannon was one of the few who was recognized and respected immediately upon mention of his name. Matheson and King are usually the two writers slurped by the horror community, but O’Bannon had just as much impact on the genre with Alien as Matheson did with I Am Legend, and, frankly, Dan just wrote better screenplays than Stephen. He didn’t have the quantity many others had, but his quality is almost unmatched. Monday’s Splattercast will be dedicated to O’Bannon and we’ll be tackling several of his films. Get yo oss to Mahs!

Tomorrow morning I will officially graduate from the comfy confines of my liberal utopia and be forced into the unsympathetic evil world of capitalism. I want to thank the government for forcibly taking tax dollars away from my conservative friends so I could be indoctrinated into the Collective. I also want to thank all of the socialist and communist film theorists that filled my nights with explanations of why my camera is actually just a tool to bring about social change and that entertainment should have no place in cinema. I predict you’ll all be sufficiently converted when you see my  mad Dialectical Montage sequences in Outpost Doom. You’ll have to be, cuz you certainly won’t be entertained. Fight the man!

Oh, and Karl Marx. I gotta thank Karl Marx.

;)

You’ll be missed, Bobby!

bowden

I’m totally going to embrace my inner sports fan, here, so if you have no interest in reading some personal thoughts/feelings from a diehard sports fan about his favorite team, then just completely ignore this post :)

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The Horror Pantheon: Aphrodite – David Cronenberg

olympians21

Aphrodite – David Cronenberg

vdemiloWho is she? Aphrodite, or Venus if you’re Roman, is the embodiment of frenzied lust, sexuality, beauty and love. Legend has it she arose from the foam of the sea when Cronus, ahem, removed his daddy’s genitals and tossed them in the ocean. She is considered the most beautiful and irresistible being ever created and because of this she has an incredible power over not only humanity, but the gods and goddesses as well. So fearful that the other gods wouldn’t be able to keep it in their pants, Zeus married her to the crippled god Hephaestus. Unfortunately, when you are the goddess of lust, you’re gonna be screwing. A lot. And that causes trouble. Lots of it. Aphrodite’s famous children include Eros (Cupid) and Priapus. Her sacred animals include the Dove, Sparrow, and Swan. She adores Myrtle trees.

What makes her badass? You can probably imagine the perks of not only being the hottest god in the universe but being an insatiable nympho at the same time. Actually, you can’t adequately imagine it because if you did, it would blow your goddamn mind. All Aphrodite needs to do is give you that “come hither” look and you’ll be…well, you get the punchline, right? The universal maxim “Bro’s Before Ho’s” does not apply in any situation involving Aphrodite. If she shows up at your door at the same time you are trying to talk your best friend out of committing suicide…you leave with Aphrodite. Sorry, bro. Aphrodite is so friggin’ hot that she scares the hell out of Zeus. That’s power, people.

On the other hand…. Every female in the universe despises you. Extreme jealousy of your beauty and the fact that you often bang their husbands better than they can do themselves doesn’t leave you many female friends. You can also be a pretty tyrannical bitch, such as when you caused the horses of Glaucus to go insane and tear him apart because he wouldn’t let them have sex with each other. That’s cold. If it doesn’t deal with sex, you’re pretty much a total waste of space such as when you got your ass handed to you by Athena when you challenged her to a weaving contest.  You also caused the start of the Trojan War by giving Helen to Paris. You might be the most awesome lay ever, but forward thinking is totally absent from your skillset.

cronenbergWho is he? David Paul Cronenberg. Canadien. One of the most respected filmmakers in the world.  Perfected and mastered (some would argue created) the subgenre of horror known as Body Horror with such films as Shivers, Rabid, The Fly, and Videodrome. Could very well be a scanner and blow your head into a million tiny pieces for being stupid.

What Makes him Badass? Other than the fact that the guy is so awesome that he made a cameo in Jason X knowing full well that, even being in that z-grade schlock, nobody would question the respect and accolades that have been thrown his way? Cronenberg is one of the few 20th century horror directors that are making top-notch films in the 21st century. It could be argued that, in his entire directorial filmography, he has never truly made a “dud” film. Teleported into existence, arguably, the greatest horror remake ever with The Fly. Also incredibly important in melding modern science-fiction themes (specifically: technology) to the horror genre. Is a Pisces and as such, astrologically, exalts…wait for it…Venus!

On the other hand… Dude hasn’t made a horror film in the traditional modern sense in a long ass time. Fast Company might be an example against the “non-dud” thesis. A very non-commercial director and although that certainly can be a very good thing, the double edged sword is that many of his great films are unaccesible to many people and/or, flat out disgusting. A lot of people take offense to some of the sexual imagery and themes in films such as Crash and Dead Ringers. The one great horror director that shows no signs of returning to the genre that made him famous. This is a guy that many feel could put American horror back on the map again, meaning it is all the more sad that it isn’t going to happen.

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So why this goddess? No horror director so perfectly makes use of sex, lust, and beauty in his films and then completley deconstructs those expectations and conventions. Aphrodite is often mischaracterized in our modern society as the “goddess of love” when in reality the Greeks and Romans considered her the embodiment of that moment when you are almost crazed for sex. Cronenberg’s horror output oozes Aphrodite-esque lust and then grotesquely deforms it into a horrifying mess of decaying flesh, puss, and bile. Just as Aphrodite might give you the best night in bed you’ve ever had, the consequences afterwards won’t be very good at all. In Shivers, it’s a parasite. In The Fly, sex turns from a “loving” act into one of pure impulse after Jeff Goldblum starts turning. Cronenberg is still experimenting with sexuality in his films, most notably with the famous stairwell rape scene in A History of Violence. Though Cronenberg continues to make great films, he will continue to face his share of resentments and disappointments with each subsequent film. There is a certain sense that Cronenberg is a one-trick pony (though, admittedly, he does that trick masterfully) and the fact that he is moving further away from the horror genre saddens a lot of fans. Still, the filmography speaks for itself and it is a filmography that many other directors would kill to have even an 1/8th of. Cronenberg might not be making horror films, but we can at least be grateful that he hasn’t gone the way of some of our other icons. In fact, maybe it’s better that he not sully a golden reputation the likes of which Romero and Hooper have already done to the dismay of many horror fans who begged them to come back.